I must say, I found the Turner Prize very disappointing this year. In previous years it’s been all-to-easy to poke fun at the preposterous and pretentious rubbish that these so-called artists pride themselves on… people dressed as bears, flashing lights, planks of wood on the floor, mannequins on toilets and old sheds. But this year it seems that there are a few pieces I would describe as art and actually demonstrate some artistic talent. Okay, I say this as someone who is a bit of a philistine and was utterly hopeless at art during my school years. But look at Enrico David’s Harlequin-style pictures and sculptures… I wouldn’t pay 50p to see them, but unlike laying a piece of wood or a half-eaten bowl of porridge on the floor I’d have to admit I couldn’t create anything like that.
Roger Hiorns created some sculptures (or do we call them ‘installations’?) and they look fairly boring. One is called IBM and looks like something from the inside of a futuristic toilet cistern. Another of his installations is a fire in a grate, which I’m sure is something we’ve never seen before. But Roger did see fit to encrust an abandoned London flat with liquid copper sulphate, so he’s a worthy nominee in the Turner Prize tradition. Could I have done that? I don’t know – I don’t think it ever would have occurred to me to try it. Roger clearly has too much time on his hands.
Lucy Skaer created some sculptures and pictures, and quite frankly they’re not wacky or pointless enough for me to take the p*ss out of. They’re just a bit boring. Don’t feel too bad Lucy, I’m a philistine and I looked at the pictures of your works for about 2.7 seconds. My opinion is worth nothing.
Now we come to Richard Wright. Not the late Pink Floyd legend. I’m referring to the man who “combines graphic imagery and intricate patterning from sources as varied as medieval painting, graphics and typography”. And also exhibits some shelves as art. Often you place your art on shelves, but this piece of art is actually shelves. This is what most of us call ‘furniture’.
But to give Richard his dues, I actually find one of his pieces (using “gouache and enamel on paper”) quite impressive to look at. I like the shapes and the symmetry, and the way it reminds me of a pre-historic cave painting with an organic feel. No, I’m not being sarcastic, I actually genuinely do like it. Maybe it’s a bit too busy to be a Windows backdrop though. At least I now know what gouache paint is, so I’ve expanded my knowledge of the world, thanks to the Turner Prize.
So who won? It was Richard Wright, which was the right (no pun intended) decision. What is happening here? Come on artists… let’s see a ventriloquist’s doll dressed as Hitler on a unicycle carrying a bottle of bile next year please.
Taking a glance at the picture, you have to ask “what is the green chap doing”? I can’t really come up with any good explanation, but I do know it’s not half as questionable as the cherry version (don’t take my word for it, Google it). Even if I was to believe the worst, I wouldn’t be bothered to write an enraged letter to the Daily Mail. But that’s okay because Mr Simpkins from Pontefract has done it for us.
Apart from a couple of eating establishments in the final stages, Camberley 2.0 is now complete. We have a Vue cinema, a bowling alley, a Nandos, a Starbucks (yeah, now we’re on the map), a host of other eateries, and a new parade of shop units. Ah, the shop units… this is where it starts to go a bit wrong. So far, only four have been occupied – Laura Ashley, Next, a sports shop and Zavvi.
Curiously, you’d think
On a different note, and just because I happen to have the blog editor open, the race for the White House is really hotting up. The world’s media have only been banging on about it for eleven months. History will be made… either the first black president or the first female vice-president, and in either situation the most famous loser. The BBC news site have a scoreboard tracking the number of states won so far, and it’s exciting stuff.